Best 172 quotes in «imitation quotes» category

Don't envy what people have, emulate what they did to have it.

Everyone has limitations. Know that when you always say “I wish I am like someone else”, you are attempting to take alongside someone’s limitation you may not be able to manage.

Greatness without models? Inconceivable. One could not be the thing itself - Reality. One must be satisfied with symbols. Make it the object of imitation to reach and release the high qualities. Make peace therefore with intermediacy and representations. Otherwise the individual must be the failure he now sees and knows himself to be.

Give me one more night to taste the dark When wolves imitate a lone dog's bark Let those secrets remain unspoken Fallen angel's heart now lover's token Light grows dim burying riddle’s death Just breathe to free your one last breath

I don't have an idol. I don't like imitations.

If a creative person steals your idea, he’s killing his creative ability, if he steals your art, he’s killing his art, if he makes it available to the world, it won,t create de impact you could have created, because it wasn’t from the right source.

Imitation is a real instinct, but it is not always playful; play is a real instinct, but it is not always imitative. There is likely, however, to be a great deal of imitation in play, since the occasion on which a particular play-function develops is often that which also develops the imitative tendency as well — i. e., the actual sight or hearing of the acts or voices of other animals. Moreover, the acquisition of a muscular or vocal action through imitation makes it possible to repeat the same action afterwards in play.

..if I dont do something on the grand scale, it is that my genius is altogether imitative, and that I have nor recently encountered any very striking models of grandeur.

I have pulled threads from magic tapestries already woven and used them to weave my own cloth.

It is only by imitating the vices of others that I have earned my misfortunes.

It makes me wonder just how many supposedly brave people in the world are just men and women trying to imitate someone more courageous than themselves.

Never stop learning to be who you are meant to be just because you have found someone and decided to be like him/her.

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from - it’s where you take them to." [MovieMaker Magazine #53 - Winter, January 22, 2004 ]

Everybody imitates before they can innovate.

In Paris, Julien’s position with regard to Madame de Renal would very soon have been simplified; but in Paris love is the child of the novels. The young tutor and his timid mistress would have found in three or four novels, and even in the lyrics of the Gymnase, a clear statement of their situation. The novels would have outlined for them the part to be played, shown them the model to copy; and this model, sooner or later, albeit without the slightest pleasure, and perhaps with reluctance, vanity would have compelled Julien to follow. In a small town of the Aveyron or the Pyrenees, the slightest incident would have been made decisive by the ardour of the climate. Beneath our more sombre skies, a penniless young man, who is ambitious only because the refinement of his nature puts him in need of some of those pleasures which money provides, is in daily contact with a woman of thirty who is sincerely virtuous, occupied with her children, and never looks to novels for examples of conduct. Everything goes slowly, everything happens by degrees in the provinces: life is more natural.

In the haste to imitate an idol, in the race to become someone else, we forget the most important lesson. How to be ourselves.

Monkey see, monkey do. Human being don’t see, human being don’t do.

Most undercover cops are vastly skilled at compartmentalization. It is a talent as valued as lying. They seal off their real feelings and create imitation emotions. Easily torn down when it's time to show the badge, drag someone downtown, and sit across from him in an interrogation cell and tell him how fucked he is now.

One of the fundamental causes of the disintegration of society is copying, which is the worship of authority.

One reason television is such a perilous medium is that even infants less than two years old imitate what they see on the screen, yet what appears there is determined by what happens to appeal or to sell rather than by what behavior helped individuals in a particular past environment to survive or prosper.

Originals cost more than imitations.

People are eager to walk in other people's pair of shoes that does not fit them. The result is that, their dreams begin to imitate a "tortoise" walk and that I guess is already uncomfortable!

People can copy anything; your mode of dressing, the way you talk, walk, dance, sing, cry, but they will find it very hard to imitate the way you donate money.

Rag Tags, you see, are absolutely free to do as they please, which for the most part is to imitate each other. And you only have to take a closer look at most youth culture groups to verify that. Mods and rockers, skinheads and greasers, teddy boys, suadeheads, chavs, emos, goths etc. all fear that by being different they’ll be left out in the cold. That’s why they’re Rag Tags

Small, therefore, can we think the progress we have made, as long as our admiration for those who have done noble things is barren, and does not of itself incite us to imitate them.

Some people’s desire to look like some people is so intense that they seldom look like themselves.

STAY AN ORIGINAL WORK OF ART In this short lifetime, Why not be -- True to your own voice, Your own story, Your own truths, Your own style, Beat and drum -- Instead of reflect the words, Songs and march of another? Why not use your soul's own Unique language, Instead of constantly try to toot something Not true, suitable or intended For your own instrument, Painting, Song, Or story? Why create an image you cannot produce? And if you can create a brilliant mask, How long will you really be able to hide your true soul Behind it Until its colors and plastic Begin to fade and melt with Time? Do not speak about truth when there is no truth in you. Do not speak about being yourself when you are trying hard to be someone else. Do not keep crying about your pain when you you have no shame creating pain in others. Do not step on truth, or someone else's truth, or someone who fights for truth -- And think there will be no repercussions; For there is more danger in silence, And for every action there will always be a reaction Of opposite or equal measure. Treasure integrity, Treasure your own story and truths. How will people remember you when you want to be an imitation? How will people remember your voice when you want to sound like another? Be so different that everybody will remember you. Be yourself because an original is worth more than a copy. Be true to yourself or your heart will never forgive you; For once you silence the music from your own instrument, Your true purpose and intended path will begin to fade. There is no greater crime Than ignoring your conscience And the truths intended For you to live, learn, And share. So Stay TRUE to YOU In everything You do. That itself is the purest And truest Art. Suzy Kassem, "Stay An Original Work of Art" Copyright 1993, The Spring For Wisdom

Successful is one whose imitators are successful.

Imitation is the sincerest form of flattery, but theft is a sin.

The expression of personality in art had been sought after and appreciated long before anyone had realized that art was based no longer on an objective What but on a subjective How. Long after it had become a self-confession, people still continued to talk about the objective truth in art, although it was precisely the self-expressionism in art which enabled it to win through to general recognition.

...imitation supplements inadequate congenital variations in the direction of an instinct, and so, by keeping the creature alive, sets the trend of further variations in the same direction until the instinct is fully organized and congenital. If both of these views be true, as there seems reason to believe, then imitation holds a remarkable position in relation to intelligence and instinct. It stands midway between them and aids them both. In some functions it keeps the performance going, and so allows of its perfection as an instinct; in others it puts a stress on intelligence, and so allows the instinct to fall away, if it have no independent utility in addition to that served by the intelligence. In other words, it is through imitation that instincts both arise and decay; that is, some instincts are furthered, and some suppressed, by imitation.

The great idea is the one that is either saleable or is worthy of imitation.

The giraffe can behave like the gazelle, but its neck will always tell a story!

The fake seen tawdry.

The ones that landed near the bathroom are Bad Tolkien imitations or transcripts of a D&D adventure; bad Herbert, Heinlein, and Asimov are below the television; and these on the bed are the ones whose authors I want to hunt down personally and slap.

The only known technique to an imitator is to steal and rephrase, then with a mischievous smile, he said, "i did it", without any confidence and prove.

There must be a certain amount of imitation, copying, in outward technique, but when there is inward, psychological imitation surely we cease to be creative.

Tis my humor as much to regard the form as the substance, and the advocate as much as the cause, as Alcibiades ordered we should: and every day pass away my time in reading authors without any consideration of their learning; their manner is what I look after, not their subject. And just so do I hunt after the conversation of any eminent wit, not that he may teach me, but that I may know him, and that knowing him, if I think him worthy of imitation, I may imitate him.

To imitate nature involves the verb to do. To copy is merely to reflect something already there, inertly: Shakespeare's mirror is all that is needed for it. But by imitation we enlarge nature itself, we become nature or we discover in ourselves nature's active part.

When you are gunning to be like other people, you are foolishly repeating their mistakes, and the worst of it all is that you can't even correct yours.

Why escape your intended purpose by copying and trying to be someone else? You will discover who you were meant to be only after you have shown confidence being yourself.

Why is society crumbling, collapsing, as it surely is? One of the fundamental reasons is that the individual – you – has ceased to be creative. I will explain what I mean. You & I have become imitative, we are copying, outwardly and inwardly. Outwardly, when learning a technique, when communicating with each other on the verbal level, naturally there must be some imitation, copy. I copy words. To become an engineer, I must first learn the technique, then use the technique to build a bridge. There must be a certain amount of imitation, copying, in outward technique, but when there is inward, psychological imitation, surely we cease to be creative. Our education, our social structure, our so-called religious life, are all based on imitation; that is, I fit into a particular social or religious formula. I have ceased to be a real individual; psychologically, I have become a mere repetitive machine with certain conditioned responses, whether of the Hindu, the Christian, the Buddhist, the German, or the Englishman. Our responses are conditioned according to the pattern of society, whether it is Eastern or Western, religious or materialistic. So one of the fundamental causes of the disintegration of society is imitation, and one of the disintegrating factors is the leader, whose very essence is imitation.

Without authenticity, we are only a poor imitation of someone else.

Your ultimate reason for staying in this crooked world is not to imitate its devastating physique, but trying do something about its ugly appearance.

Affectation is an awkward and forced imitation of what should be genuine and easy, wanting the beauty that accompanies what is natural.

An imitator is a man who succeeds in being an imitation.

Anyone who draws attention to himself as an individual, is viewed with suspicion. We acquired this tendency, of course, from America, and we must resist it: levelling, and imitation of what others are already doing.

There is only one thing which is generally safe from plagiarism -- self-denial.

when a company offers a leap in value, it rapidly earns brand buzz and a loyal following in the marketplace. Even large advertising budgets by an aggressive imitator rarely have the strength to overtake the brand buzz earned by the value innovator.

You go into extinction by being obsessed about becoming something else and then travelling in the wrong car while your real self keeps waiting at the bus stop for your unfulfilled return!