Best 1487 quotes in «wonder quotes» category

Success is realising the true joy and wonder of life can only be yours if you follow your own intuition, aiming to achieve your bliss.

Suddenly, I can't move. I can't speak. I am set in stone, but it's a glorious chiseled sort of stone.

thakrar noun - The precise point of the spectrum of awe at which wonder turns to dread, or dread to wonder. Archaic; from the estatic priestesses of Thakra, worshippers of the seraphim, whose ritual dance expressed the dualism of beauty and terror.

That it’s rough out there and chancy is no surprise. Every live thing is a survivor on a kind of extended emergency bivouac. But at the same time we are also created. In the Koran, Allah asks “the heaven and the earth, and all in between, thinkest thou I made them in jest?” It’s a good question. What do we think of the created universe, spanning an unthinkable void with an unthinkable profusion of forms? Or what do we think of nothingness, those sickening reaches of time in either direction? If the giant water bug was not made in jest, was it then made in earnest?

That was a hell of a thing.

The air is so dry, so clear, and there's so few people, almost no lights. And you can lie on your back and look up and see the Milky Way. All the stars like a splash of milk in the sky. And you see them slowly move. Because the Earth is moving. And you feel like you're lying on a giant spinning ball in space.

The air tasted like wonder. Like candied butterfly wings caught in sugared spiderwebs, and drunken peaches coated in luck.

The author explains the evidence for they would help from astronomy. He says that if planets are behaving in a way that cannot be explained by what is already known, then another planet is searched for which would explain their behavior. This, he says, is actually how the more distant planets were discovered. We look, then, for something that would explain what is not inexplicable from what we already see.

The author describes the critic within us as adults as "the selves who live too much in their heads rather than their bodies, who are burdened with too much knowledge about how the world works rather than excited about how it could work or should, who are afraid of being judged and not being loved. Most adults do not live in a world of forgiveness and unconditional love, unless, that is, they have small children.

The beauty in the genome is of course that it's so small. The human genome is only on the order of a gigabyte of data...which is a tiny little database. If you take the entire living biosphere, that's the assemblage of 20 million species or so that constitute all the living creatures on the planet, and you have a genome for every species the total is still about one petabyte, that's a million gigabytes - that's still very small compared with Google or the Wikipedia and it's a database that you can easily put in a small room, easily transmit from one place to another. And somehow mother nature manages to create this incredible biosphere, to create this incredibly rich environment of animals and plants with this amazingly small amount of data.

The Best Answers Come from the Best Questions.

The Christian catacombs represent simplicity and earthiness; the cathedrals, transcendence and wonder.

The book did not say anything about a statue, valuable or otherwise, and so I stopped reading about the Bombinating Beast and got interested in the chapter about the Stain'd witches, who had ink instead of blood in their veins. I wondered what they kept in their pens.

The Child Christ lives on from generation to generation in the poets, very often the frailest of men but men whose frailty is redeemed by a child's unworldliness, by a child's delight in loveliness, by the spirit of wonder. Christ was a poet, and all through His life the Child remains perfect in Him. It was the poet, the unworldly poet, who was King of the invisible kingdom; the priests and rulers could not understand that. The poets understand it, and they, too, are kings of the invisible kingdom, vassal kings of the Lord of Love, and their crowns are crowns of thorns indeed.

The color-patches of vision part, shift, and reform as I move through space in time. The present is the object of vision, and what I see before me at any given second is a full field of color patches scattered just so. The configuration will never be repeated. Living is moving; time is a live creek bearing changing lights. As I move, or as the world moves around me, the fullness of what I see shatters. “Last forever!” Who hasn’t prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying; it is a canvas, nevertheless. But there is more to the present than a series of snapshots. We are not merely sensitized film; we have feelings, a memory for information and an eidetic memory for the imagery of our pasts. Our layered consciousness is a tiered track for an unmatched assortment of concentrically wound reels. Each one plays out for all of life its dazzle and blur of translucent shadow-pictures; each one hums at every moment its own secret melody in its own unique key. We tune in and out. But moments are not lost. Time out of mind is time nevertheless, cumulative, informing the present. From even the deepest slumber you wake with a jolt- older, closer to death, and wiser, grateful for breath. But time is the one thing we have been given, and we have been given to time. Time gives us a whirl. We keep waking from a dream we can’t recall, looking around in surprise, and lapsing back, for years on end. All I want to do is stay awake, keep my head up, prop my eyes open, with toothpicks, with trees.

The curse that came before history has laid on us all a tendency to be weary of wonders. If we saw the sun for the first time it would be the most fearful and beautiful of meteors. Now that we see it for the hundredth time we call it, in the hideous and blasphemous phrase of Wordsworth, "the light of common day." We are inclined to increase our claims. We are inclined to demand six suns, to demand a blue sun, to demand a green sun. Humility is perpetually putting us back in the primal darkness. There all light is lightning, startling and instantaneous. Until we understand that original dark, in which we have neither sight nor expectation, we can give no hearty and childlike praise to the splendid sensationalism of things.

The bliss of love is wonder.

The business of living can steal away the wonder of life.

The day you lose your sense of wonder is the day you grow old.

The dream that wakened me pushed at the veil of consciousness but could not burst through, and I was left wondering what I had known just a moment before.

The dream knows what they are waiting for, even if they don’t themselves. The end of everything. The moment when it reveals its miracle boy and all the eyes will look and their seeing will be horror and glory and wonder and it will pierce the skin of the world, collapse dimensions, and open the doors and the work will breathe and dance in his shoes and the dream will be able to escape.

The division between the known and the unknown is not complete. The East has a threefold division—known, unknown, unknowable. It agrees with the West that the unknown can become known, but the unknowable will always remain unknowable. There will always be mystery around human consciousness. There will be always mystery around love, friendship, meditation, consciousness. We may be able to know all that is objective. But the subjectivity, the innermost core of human consciousness, will remain always a mystery. And this has been the persistent effort of the East, to make it clear to the whole world that the unknowable should not be denied; otherwise you will take all juice out of human life. You will create robots out of human beings, you will destroy them, and they will be just machines and nothing more.

The effect Of this moment Lasted forever And still stands; It’s in my heart; It’s in my mind; Like a wonder

The field was covered with ice crystals sticking up like a garden of little diamonds. Sophia was beside her now, and the two animals walked slowly into the crystal blossoms. Flora was enchanted. For a moment she forgot she was hungry, tired, and ill-equipped to make this journey. She forgot to worry about Oscar. She forgot to worry that there would never be a useful job for her. She kicked up her front hooves with each step and watched the ice crystals scatter in front of her.

The feeling of loathing had as yet no permanence or strength in the dog’s soul. The newly awakened joy of life transformed every sensation into a great joke, into gaiety. Nimrod kept on barking, but the tone of it had changed imperceptibly, had become a parody of what it had been - an attempt to express the incredible wonder of that capital enterprise, life, so full of unexpected encounters, pleasures, and thrills.

The finest SF comes to grips with life's mysteries, with our resentments against our own natures and our limited societies. It does so by asking basic questions in the artful, liberating way that is unique to this form of writing. Echoes of it are found in other forms of fiction - in the novel of ideas, in the historical novel, in the writings of the great philosophers and scientists; but the best SF does this all more searchingly, by taking what is in most people only a moment of wonder and rebellion against the arbitrariness of existence and making of it an art enriched by knowledge and possibility, expressing our deepest human longing to penetrate into the dark heart of the unknown.

The first stanza of Eyes In Moonlight Drown, a poem from DeadVerse. With your face framed in a halo of stars, your hair melts into trailing clouds, and your eyes in moonlight drown. A man could lose himself in those freckled irises, reflecting the galaxies above; surely he could fall into their promise of eternity, of Heaven, of love. Your lips glisten, part, and beckon, a smile of warm invitation, a suggestion of sweet intensity, a loss of self in addictive agony. For we translate these aesthetics into something mystical; ideas of fantasy, of fiction, obscuring the clinical truth of chemical reactions, electric sparks, responses as sure as gravity, measurable yet beyond cold, above philosophy and below truth.

The first time Olly's dad gets afternoon drunk--violent drunk... He'd been home all day, arguing with financial news shows on television. One of the anchors mentioned the name of his old company, and he raged. He poured whiskey into a tall glass and then added vodka and gin. He mixed them together... until the mixture was no longer the pale amber color of whiskey and looked like water instead. Olly watched the color fade in the glass and remembered the day his dad got fired and how he'd been too afraid to comfort him. What if he had--would things be different now? What if? He remembered how his dad had said that one thing doesn't always lead to another. He remembered sitting at the breakfast bar and stirring the milk and chocolate together. How the chocolate turned white, and the milk turned brown, and how sometimes you can't unmix things no matter how much you might want to.

The "Garcilaso" mentioned by Markham is the chronicler Garcilaso Inca de la Vega, the son of a Spanish conquistador and an Inca princess, a heritage that gave him unique access to genuine Inca traditions, particularly since he was born and brought up in Cuzco and spoke Quechua, the language of the Incas, as his mother tongue. Had the megalithic elements of Sacsayhuaman been recent work, done in the century before Garcilaso's birth, there should have been fresh and clear memories, even eye-witness accounts, of so magnificent an achievement. But Garcilaso reports nothing of the sort and instead can only offer magic as an explanation for what he describes as 'an ever greater enigma than the seven wonders of the world.

The Gingerbread House has four walls, a roof, a door, a window, and a chimney. It is decorated with many sweet culinary delights on the outside. But on the inside there is nothing—only the bare gingerbread walls. It is not a real house—not until you decide to add a Gingerbread Room. That’s when the stories can move in. They will stay in residence for as long as you abstain from taking the first gingerbread bite.

The Himalayas are the crowning achievement of the Indo-Australian plate. India in the Oligocene crashed head on into Tibet, hit so hard that it not only folded and buckled the plate boundaries but also plowed into the newly created Tibetan plateau and drove the Himalayas five and a half miles into the sky. The mountains are in some trouble. India has not stopped pushing them, and they are still going up. Their height and volume are already so great they are beginning to melt in their own self-generated radioactive heat. When the climbers in 1953 planted their flags on the highest mountain, they set them in snow over the skeletons of creatures that had lived in a warm clear ocean that India, moving north, blanked out. Possibly as much as 20,000 feet below the sea floor, the skeletal remains had turned into rock. This one fact is a treatise in itself on the movements of the surface of the earth. If by some fiat, I had to restrict all this writing to one sentence; this is the one I would choose: the summit of Mount Everest is marine limestone.

The Kite Charm For A Life Filled with High-Flying Fun, Play with the Wonder of A Child

The key to a wonderful life Is to never stop wandering into wonder. Because to live a predictable life, Only fills a person with strife, And such a person will always be wondering: 'What a limitless life could be lived beyond the lines?' Such is a question a curious spirit would never sit forever and ponder. So always pursue new ventures in your life, And be willing to open doors to different light; This is the only way to keep it magical and always filled with wonder. Days will feel shorter, but your happiness will grow stronger -- Because living a life without curiosity and adventure, Is a stale life where days only feel longer and Longer. THE SPRING FOR WISDOM, 1993

The place where the story happened was a world on the back of four elephants perched on the shell of a giant turtle. That's the advantage of space. It's big enough to hold practically anything, and so, eventually, it does. People think that it is strange to have a turtle ten thousand miles long and an elephant more than two thousand miles tall, which just shows that the human brain is ill-adapted for thinking and was probably originally designed for cooling the blood. It believes mere size is amazing. There's nothing amazing about size. Turtles are amazing, and elephants are quite astonishing. But the fact that there's a big turtle is far less amazing than the fact that there is a turtle anywhere.

The key to a wonderful life Is to never stop wandering into wonder. Because to live a predictable life, Only fills a person with strife, And such a person will always be wondering: 'What a limitless life could be lived beyond the lines?' Such is a question a curious spirit would never sit forever and ponder. So always pursue new ventures in your life, And be willing to open doors to different light; This is the only way to keep it magical and always filled with wonder. Days will feel shorter, but your happiness will grow stronger -- Because living a life without curiosity and adventure, Is a stale life where days only feel longer and Longer.

The living used to wonder what happened after death. She said that whole religions were born and evolved around this one simple uncertainty.

The Lord of my life, who calls me to be brave and walk into the unknown, amazing future. I am always awed by the wonder of you.

The madness in the heart is the state of mind.

The limitless mind lets us dream and examine and explore. It opens us up to opportunity. We come up with a desire, a clear, fresh perspective, and a potential goal to observe from afar. And we wonder, is this it, the right choice, the best choice to follow?

The longer the wondering, the longer the writing.

The moon is beautiful partly because we cannot reach it, (the sea is impressive because one can never be sure of crossing it safely. Even the pleasure one takes in a flower — and this is true even of a botanist who knows all there is to be known about the flower is dependent partly on the sense of mystery.

The miracle of this moment is a glorious time.

The more clearly we can focus our attention on the wonders and realities of the universe about us the less taste we shall have for the destruction of our race. Wonder and humility are wholesome emotions, and they do not exist side by side with a lust for destruction. {Speech accepting the John Burroughs Medal}

The more you rely on intellectual and philosophical concepts of God, the more difficult it becomes to simply experience and enjoy the wonder of God.

The most beautiful experience we can have is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science. Whoever does not know it and can no longer wonder, no longer marvel, is as good as dead and his eyes are dimmed.

The most fortunate are those who have a wonderful capacity to appreciate again and again, freshly and naively, the basic goods of life, with awe, pleasure, wonder and even ecstasy.

The miracle of existence, the wonder of it all.

The miracle of wonder is sacred writing.

The more I love, the more I find opportunites to love and wonder.

The mystery and art of living are as grand as the sweep of a lifetime and the lifetime of a species. And they are as close as beginning, quietly, to mine whatever grace and beauty, whatever healing and attentiveness, are possible in this moment and the next and the next one after that.