Best 223 quotes in «french quotes» category

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    Our own dimension was coded ID-11 and was the only League member with diphtheria, David Hasselhoff and the French, which amused the rest of the multiverse no end.

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    parce que je suis magique,Et que tu est ma pierre precieuse

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    Parce que, à sa façon de causer, on voyait bien que le gars était allé très longtemps à l'école. C'était probablement ce qui l'avait rendu dingue.

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    Part of me just wants to force-feed these women some spoonfuls of fatty pâté. But another part of me is dying to know their secrets. Having kids who sleep well, wait and don’t whine surely helps them stay so calm. But there’s got to be more to it. Are they secretly struggling with anything? Where’s their belly fat? If this is all a façade, what’s behind it? Are French mothers really perfect? And if so, are they happy?

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    ...Paul Dermée. In the inaugural issue of L’Esprit Nouveau in October 1920, Dermée published “Découverte du lyrisme” (Discovery of lyricism), a piece connecting lyricism, automatism, dream, Freud, cinema, and surrealism:  "This background activity that became autonomous and functions blindly without the use of conscious will, this is what we call “automatism” [automatisme]. "We dream, kaleidoscope of images, sensations and emotions function. The film unfolds, varied and captivating [captivant] and the whole richness of inner life traverses consciousness as a broad current: our soul fills up with a spontaneous melody, it is the lyrical flux that sings! "As for images, they must be handled with great care, by preventing them from giving objects an existence in the exterior world. For nothing must make the reader come out of his deep self. Thus no images realizable through plastic means: only their surrealism [surréalisme].

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    People in France have a phrase: "Spirit of the Stairway." In French: Esprit de l'escalier. It means that moment when you find the answer, but it's too late. Say you're at a party and someone insults you. You have to say something. So under pressure, with everybody watching, you say something lame. But the moment you leave the party… As you start down the stairway, then -- magic. You come up with the perfect thing you should've said. The perfect crippling put-down. That's the Spirit of the Stairway. The trouble is even the French don't have a phrase for the stupid things you actually do say under pressure. Those stupid, desperate things you actually think or do. Some deeds are too low to even get a name. Too low to even get talked about.

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    Perhaps the most important thing I came to understand during my decade at HoJo's was that Americans had extremely open palates compared to French diners. They were willing to try items that lay outside their normal range of tastes. If they liked the food, that was all that mattered. I wasn't constantly battling ingrained prejudices as I would have been in France, where doing something as simple as adding carrots to boeuf bourguignon could have gotten me guillotined, not because carrots make the dish taste bad (they are great), but because it wouldn't be the way a boeuf was supposed to be made. In France, unless a dish was prepared exactly "right," people would know and complain. In the States, if it tasted good, then fine, the customer was happy. A whole new world of culinary possibilities had opened up before me.

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    Peut être que j'avais besoin de lui pour me montrer que même les anges n'échappent pas à la guillotine.

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    Plus une personne est unie en lui-même et intérieurement simple, plus elle comprend les choses de plus en plus, parce qu'il ou elle reçoit la lumière de la compréhension de l'intérieur.

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    Poetry is a machine that manufactures love. Its other virtues escape me.

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    Saches que ta présence dans cette vie (ton corps présent dans cet univers, ton âme, ta voix qui décore le silence du bout d’un monde qui est à l’autre extrémité du mien) est suffisante pour que je ne me pose plus la question qui m’a toujours tourmenté: Pourquoi est-ce que j’ai été jeté dans le pan de la robe de cette vie. Je pense que t’avoir aimé et avoir senti ce que je ressens, ce sentiment tellement spirituel comme un derviche soufi qui danse sa dance sacrée, a été suffisant pour que j’accède éternellement au coeur du sens et au coeur du signifiant. Je ne peux pas t’expliquer ce que je ressens. Mais c’est ce que je peux me contenter de dire.

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    Puisque la maîtresse me "reprenait", plus tard j'ai voulu reprendre mon père, lui annoncer que "se parterrer" ou "quart moins d'onze heures" n'existaient pas. Il est entré dans une violente colère. Une autre fois : "Comment voulez-vous que je ne me fasse pas reprendre, si vous parlez mal tout le temps!" Je pleurais. Il était malheureux. Tout ce qui touche au langage est dans mon souvenir motif de rancœur et de chicanes douloureuses, bien plus que l'argent.

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    Que les poètes morts laissent la place aux autres. Et nous pourrions tout de même voir que c'est notre vénération devant ce qui a été déjà fait, si beau et si valable que ce soit, qui nous pétrifie, qui nous stabilise et nous empêche de prendre contact avec la force qui est dessous, que l'on appelle l'énergie pensante, la force vitale, le déterminisme des échanges, les menstrues de la lune ou tout ce qu'on voudra.

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    Quand tu es dépendant des autres pour le moindre geste, il faut être pote avec la grande aiguille de l'horloge. La patience est un art qui s'apprend patiemment.

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    Réalise toi. Réalise tes capacités. Sois sincère envers toi même en priorité. Continue d’avancer sur le chemin de la bravoure. Persévère sur le sentier de ta passion. Marche, et ne t’arrêtes pas tant que tu n’auras pas atteint ton but.

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    Reticence was clearly a national characteristic, even if the other person spoke French.

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    Rien n'était plus froid, rien n'était plus mort que son cœur : il avait aimé un ange et il méprisait une femme.

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    Sara was annoyed that the two were conducting the transaction as if she weren't there at all. "Four day gowns," she interrupted, "and two for evening. Six in all. And perhaps a cambric nightgown-" "Twenty-five," Derek told the dressmaker. "Don't forget gloves, slippers, unmentionables, and everything she'll need to go with the order." Gently he covered Sara's mouth with his hand as she sputtered in protest. His sly green eyes met the dressmaker's over her head, and he winked as he added, "Nightgowns aren't necessary." Monique chuckled and glanced at Sara's reddening face. "I think perhaps, madam, your husband is part French!

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    Propped on a small easel she uses for orders and ingredient lists is a request for a 'gateau Saint-Honore' bearing the legend "Together, Toujours" in scrolling Edwardian script. She attempts to calm herself with her work. It's a nicely time-consuming cake, though Avis finds it distasteful to deface her pastries with these slogans- even "Happy Birthday"- using fine creations as billboards. Today's order, from a Cutler Road matriarch, is an anniversary commandment- "till death do us..." Avis embarks on the journey of the cake which will require both the work of 'pate feuilletee,' and the 'pate a choux,' a carefully timed caramel, a 'creme patisserie,' as well as a 'creme Chantilly.

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    Puss hopped down from the couch and rummaged in Mark’s closet until he found a black leather belt. This he looped along his shoulder, around his waist, and then clasped together. “I’m off to make war, so that you may have love.

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    (Regarding the Roosevelt Tram along Queensboro Bridge): "They had it renovated by the French. French cars. French cables. Cables that surrender! Would you ride in a tram that surrenders? I sure as hell wouldn't!

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    Rien, rien n'avait d'importance et je savais bien pourquoi.

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    She collects a tray from the kitchen: arranges almond and mango cream puffs, brown sugar lace cookies, and miniature napoleons of vanilla and guava: fleeting breaths of pate a choux and buttercreams that dissolve in single bites.

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    So it was perfectly possible that there were men who liked shopping, men who understood exactly what it was all about, but Mma Ramotwe had yet to meet such a man. Maybe they existed elsewhere - in France, perhaps - but they did not seem to be much in evidence in Botswana.

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    She speaks French,” Graeme muttered. Traigh turned quite serious and nodded his head. “Aye, she be speakin’ French. Mayhap she learned it from listenin’ to ye and yer French friend speakin’ it these past days.” Though his tone sounded serious, there was a decidedly sarcastic undertone to it. “Ye knew,” Graeme said as he glared angrily at his brother. Traigh feigned innocence. “Moi?” Graeme’s glare intensified. “Why did ye no’ tell me? Why did she no’ tell me?” Traigh smiled thoughtfully and placed a hand on Graeme’s shoulder . “Ye did no’ ask.

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    She spent what was left of the afternoon in the kitchen with the chef, Monsieur Broussard, the pastry chef, Mr. Rupert, and Mrs. Pennywhistle. Broussard was involved in the creation of a new dessert... or more aptly, trying to re-create a dessert he had remembered from childhood. "My great-aunt Albertine always made this with no recipe," Broussard explained ruefully as he pulled a bain-marie, or water bath, from the oven. Nestled inside were a half dozen perfect little steaming apple puddings. "I watched her every time. But it has all slipped from my mind. Fifteen times I have tried it, and still it's not perfect... but quand on veut, on peut." "When one wants, one can," Poppy translated. "Exactement." Broussard carefully removed the dishes from the hot water. Chef Rupert drizzled cream sauce over each pudding, and topped them with delicate pastry leaves. "Shall we?" he asked, handing out spoons. Solemnly, Poppy, Mrs. Pennywhistle, and the two chefs took a pudding and sampled it. Poppy's mouth was filled with cream, soft tart apple, and crisply imploding pastry. She closed her eyes to better enjoy the textures and flavors, and she heard satisfied sighs from Mrs. Pennywhistle and Chef Rupert. "Still not right," Monsieur Broussard fretted, scowling at the dish of pudding as if it were deliberately being obstinate. "I don't care if it's not right," the housekeeper said. "That is the best thing I've ever tasted in my life." She turned to Poppy. "Don't you agree, Mrs. Rutledge?" "I think it's what angels must eat in heaven," Poppy said, digging into the pudding.

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    Soit vous êtes homophobes, soit vous êtes humains - être à la fois humain et homophobe est incompatible.

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    Sombres, dites-vous? Mais posez-vous la question docteur : pourquoi tous les grands philosophes sont-ils sombres? Demandez-vous qui sont les gens satisfaits, rassurés et éternellement joyeux! Laissez-moi vous donner la réponse : ce sont ceux qui ont une mauvaise vue ― la populace et les enfants!

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    She returned to the kitchen, where she'd been making sugared flowers. Mint leaves, tiny violets and old-fashioned rose petals, heavy with perfume, lay on the counter. Very gently she dipped each one into the stiff egg whites, then in confectioners' sugar, and then placed them on the baking sheet, which she put in the warm oven, the door ajar. It gave the room the scent of a garden, heady and sweet. Sabine had planned to store the sweets in canning jars- there were still a few gaskets and lids left- and save them for cake. When she was a child, her grand-mère had once made her a Saint-Honoré for her birthday. It was the most wondrous cake in the world. Not a cake at all but a composition of tiny puffs of choux pastry filled with vanilla cream, very much like profiteroles, but molded together with caramel and covered with whipped chantilly cream fresh from the dairy. Her grand-mère decorated it with candied flowers and mint leaves. Sabine never had anything like it before or since and suddenly wanted to make that cake again.

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    Sunday lay so heavily in the air as to become almost nauseating. Maigret used to claim openly, half seriously, half in fun, that he had always had the knack of sensing a Sunday from his bed, without even having to open his eyes.

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    Spécial" is one of those elusive French words that means something (or someone) is...peculiar. The use of it is one of the rare times that the French are noncommittal about their opinions.

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    Tant qu’il existera, par le fait des lois et des mœurs, une damnation sociale créant artificiellement, en pleine civilisation, des enfers, et compliquant d’une fatalité humaine la destinée qui est divine; tant que les trois problèmes du siècle, la dégradation de l’homme par le prolétariat, la déchéance de la femme par la faim, l’atrophie de l’enfant par la nuit, ne seront pas résolus; tant que, dans de certaines régions, l’asphyxie sociale sera possible; en d’autres termes, et à un point de vue plus étendu encore, tant qu’il y aura sur la terre ignorance et misère, des livres de la nature de celui-ci pourront ne pas être inutiles.

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    Temperee, riante, (comme le sont celles d'automne dans la tres gracieuse ville de Buenos Aires) resplendissait la matinee de ce 28 avril: dix heures venait de sonner aux horloges et, a cet instant, eveillee, gesticulant sous le soleil matinal, la Grande Capitale du Sud etait un epi d'hommes qui se disputaient a grands cris la possession du jour et de la terre.

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    That’s the key, you know, confidence. I know for a fact that if you genuinely like your body, so can others. It doesn’t really matter if it’s short, tall, fat or thin, it just matters that you can find some things to like about it. Even if that means having a good laugh at the bits of it that wobble independently, occasionally, that’s all right. It might take you a while to believe me on this one, lots of people don’t because they seem to suffer from self-hatred that precludes them from imagining that a big woman could ever love herself because they don’t. But I do. I know what I’ve got is a bit strange and difficult to love but those are the very aspects that I love the most! It’s a bit like people. I’ve never been particularly attracted to the uniform of conventional beauty. I’m always a bit suspicious of people who feel compelled to conform. I personally like the adventure of difference. And what’s beauty, anyway?

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    That’s different. The French know that the English are superior to them and they’re appropriate about it. The Eastern Europeans on the other hand have no sense of place. All that communism has them thinking that everyone really is of the same class and we are absolutely not. But they don’t know that.

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    The essence and value of the law lies in its stability and durability (...), in its “relative eternity.” Only then does the legislator’s self-limitation and the independence of the law-bound judge find an anchor. The experiences of the French Revolution showed how an unleashed pouvoir législatif could generate a legislative orgy.

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    The beam of light flashed across her own face and she thought, Yes, me, Khady Demba, still happy to utter her name silently and to sense its apt harmony with the precise, satisfying image she had of her own features and of the Khady heart that dwelled within her to which no one but she had access.

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    The old lady continued, "We women, my child, are often very simple. But that any female would lack reason to such a degree that she would start reasoning with a man--that is beyond my comprehension! She has lost the battle, my dear child, she has lost the battle before it began! No, if a woman will have her way with a man she must look him square in the eye and say something of which it is impossible for him to make any sense whatsoever and to which he is at a loss to reply. He is defeated at once.

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    The French always make our sort happy because, like us, they know how to love, they're just as good at playing the accordion, and they've made a real art of their inability to bake proper bread.

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    The French doctor - the French, they are a very logical race and make good doctors - says: "M'sieu, they have all been on the wrong track - ("Jane Brown's Body")

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    The Jews are a peculiar people: Things permitted to other nations are forbidden to the Jews. Other nations drive out thousands, even millions of people, and there is no refugee problem. Russia did it. Poland and Czechoslovakia did it. Turkey threw out a million Greeks and Algeria a million Frenchmen. Indonesia threw out heaven knows how many Chinese--and no one says a word about refugees. But in the case of Israel, the displaced Arabs have become eternal refugees. Everyone insists that Israel must take back every single Arab. Arnold Toynbee calls the displacement of the Arabs an atrocity greater than any committed by the Nazis. Other nations when victorious on the battlefield dictate peace terms. But when Israel is victorious it must sue for peace. Everyone expects the Jews to be the only real Christians in this world.

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    The physical shape of Mollies paralyses and contortions fit the pattern of late-nineteenth-century hysteria as well — in particular the phases of "grand hysteria" described by Jean-Martin Charcot, a French physician who became world-famous in the 1870s and 1880s for his studies of hysterics..." "The hooplike spasm Mollie experienced sounds uncannily like what Charcot considered the ultimate grand movement, the arc de de cercle (also called arc-en-ciel), in which the patient arched her back, balancing on her heels and the top of her head..." "One of his star patients, known to her audiences only as Louise, was a specialist in the arc de cercle — and had a background and hysterical manifestations quite similar to Mollie's. A small-town girl who made her way to Paris in her teens, Louise had had a disrupted childhood, replete with abandonment and sexual abuse. She entered Salpetriere in 1875, where while under Charcot's care she experienced partial paralysis and complete loss of sensation over the right side of her body, as well as a decrease in hearing, smell, taste, and vision. She had frequent violent, dramatic hysterical fits, alternating with hallucinations and trancelike phases during which she would "see" her mother and other people she knew standing before her (this symptom would manifest itself in Mollie). Although critics, at the time and since, have decried the sometime circus atmosphere of Charcot's lectures, and claimed that he, inadvertently or not, trained his patients how to be hysterical, he remains a key figure in understanding nineteenth-century hysteria.

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    The Parisian grocers insisted that I interact with them personally: if I wasn't willing to take the time to get to know them and their wares, then I would not go home with the freshest legumes or cuts of meat in my basket. They certainly made me work for my supper-- but, oh, what suppers!

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    There is only one cure for grey hair. It was invented by a Frenchman. It is called the guillotine.

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    There exists a bastard cuisine that is too often assumed to be real French cooking.

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    The scent of him was subtle, beautifully fresh, and she couldn’t think clearly. No man had ever brought out these intense feelings in her. Chris Augustine was dangerous and she could get lost in his arms.

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    There's a little war in progress here. There won't be anything left of the place if it goes on at this rate." (But it's hard to feign innocence if you've eaten the apple, he reflected.) "And it looks to me as if it is going to go on, because the French aren't going to give in, and certainly the Arabs aren't, because they can't. They're fighting with their backs the the wall." "I thought maybe you meant you expected a new world war," he lied. "That's the least of my worries. When that comes, we've had it. You can't sit around mooning about Judgement Day. That's just silly. Everybody who ever lived has always had his own private Judgment Day to face anyway, and he still has. As far as that goes, nothing's changed at all.

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    The towering stacks of profiteroles, the mille-feuille and champagne creams were banished in favor of the sweet and the simple; pans of clafoutis with preserved cherries, slices of tarte tatin and cups of hot chocolate.

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    To pronounce French properly you must have within you a deep antipathy, not to say scorn, for some of the most sacred of the Anglo-Saxon prejudices.

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    The true structure of the Welsh grammar will be revealed only when we look at sentences slightly more complicated than its basic VSO pattern. Welsh is no different from the rest of the world: it does involve an extra step, but even that isn't all that unusual. Welsh is like Shakespearean English on acid: the verb always - not just in questions - moves to the beginning. Alternatively, it can be viewed as taking the French grammar a step further. While the verb stops at tense in French, it moves further in Welsh to a position that traditional grammarians call the complementizer (don't ask).