Best 2389 quotes in «comedy quotes» category

What drives the creative person is that we see it all.

What if God's a woman? Not only am I going to hell, I'll never know why!

What I like about The Meddler style of movie is that it's a fairly lighthearted romantic comedy, but there are hidden moments where something happens that's unexpected, that hopefully have some kind of emotional resonance that you didn't see coming. I love when a film does that.

What I've learned about comedy people is that they're defined by the harshest level they've been to, their personal Auschwitz.

What's the trick to writing a genuinely funny comedy? The trick is therapy. Take notes.

What's great about comedy, obviously, is that you set up a situation that people assume one thing and then you break the assumption. That's basically the backbone to comedy. You set up a situation, let people make an assumption, and then you break the assumption.

What is wrong with me i just bought a bag of weed from an infant.

What you aspire to on a sitcom is the feeling of live comedy.

What's funny is that with my comedies I don't believe they're my best screenplays necessarily. They're just the ones that I wrote that I knew I could get financing, you know? I believe my other films could be better, but right now they're not being made. But they will eventually.

When certain people hear "'SNL' comedy," rightfully so, you expect it to be a certain kind of goofiness.

When comedy fails, seriousness begins to leak back in.

When comedy is good, it's jazz. The beats of it, the looseness, the improvisational part, the music-the way you hit the inflection, the high notes of a joke. It's all melody to me.

Whenever I do a comedy show I still just read poems, some of which are intentionally funny and some of which are just bizarre. The mix seems to work well.

Whenever I catch a chunk of an Adam Sandler comedy on cable, it looks as badly shot and goofily tossed off as a Jerry Lewis gag reel once he hit the late downslide with 'Hardly Working' and 'Cracking Up.'

When I did comedy I made fun of myself. If there was a buffoon, I played the buffoon.

Whenever you're making a dark comedy, you're always looking for the yin and yang in an actor.

When has stand-up comedy been kind to anyone? It goes after anyone who's the target. Comedy attacks, man.

When I did comedy I made fun of myself. If there was a buffoon, I played the buffoon. And people looked at me and said, "Gee, that's like Uncle David", or "That's like a friend of mine.". And they related through that. I didn't make fun of them. I made fun of me.

When I finished my residency in New Orleans, I went to L.A. where I would work as a doctor during the day, and then at night I would actually go to The Improv and do standup, all the while kind of cultivating my comedy resume.

When I do comedy, I lose all inhibition and introspection. I no longer care.

What you end up with is outrageousness without the laugh - comedy as electro shock therapy.

When I first started doing sketch comedy, I promised myself that if I were ever to have any success in this business, I wouldn't hold back. Why get there and play it safe?

When I first hit the scene, it was just a lot of go, go, go, go, go. I have a lot of natural energy anyway, but it was over the top.

When I go to the movies, I like romance, comedy, and thrillers. I hate gore.

When I had my Comedy Central roast, David [Spade] was my first choice to be roastmaster, because I adore him. He's funny as hell, and nobody is meaner.

When I first started doing my stand-up act, I played the banjo, did comedy, magic tricks, juggled, read poetry. I stuck it all in. I didn't know you were supposed to just stand up and tell jokes. Essentially, that's what my act became: those five elements - except I dropped the poetry.

When I slid into comedy, naturally the first thing I said was, "hello, I am a washed up rapper.

When I started out, I didn't feel like I was really accepted in the music or comedy communities, and I was somewhere on the edge, but now I feel like I'm accepted in both, which is extremely gratifying.

When I started stand-up - and this is in the '90s - there was definitely people hadn't watched decades of Comedy Central, where people are really much more educated on stand-up comedy.

When it comes to English stand-up comedy, Indians have only seen the best - Jerry Seinfeld, Bill Cosby and the like. So, when someone claims to be an English stand-up comedian in India, he'd better be very good if he's going to make a life of it.

When I perform, it's very personal. I'm sharing things I like, inviting the audience into my room.

When I was 14, I told my mother I was going to drop out of high school and go do stand-up comedy. All she said was 'Oh maybe it's better if you just die,' because it was killing her that I was doing this.

When I left school I was full of angst, like any teenager, and I channeled it all into comedy.

When I was doing ensemble theater and comedy work, I felt I had some talents. But when I started doing my shows in Berkeley and found that I could be funny on my own, I was shocked.

When I was a student I was very, very ambitious, completely immersed in my comedy career. I never had that period of reckless hedonism that you should get out of your system in your youth.

When I was in college I did a lot of comedy.

When I tell people I'm a comedian they say, 'Oh, are you funny?' I say, 'No, it's not that kind of comedy.'

When I was growing up, This is Spinal Tap [1984] was the ultimate comedy, and it was the kind of thing I wanted to do. But you get to a point with parody where you can't go much further because ultimately it's feeding off of somebody else's creativity.

When I was nine, we'd take a bus to the seaside. Coming back, we'd take turns entertaining, singing songs and the like. I tried some stand-up comedy. I had a captive audience in that bus. Then I realized I wanted to do more than that.

When someone's an actor and you're an actor, you meet them and you feel like you know them. We're in the same business, and we all speak the same comedy language.

When someone describes themself as a taxpayer, they're about to be an asshole.

When Kubrick decided to go the black comedy route with his movie, he thought of me to give it that flavor.

When the president during the campaign said he was against nation building, I didn't realize he meant our nation.

When Thomas Edison worked late into the night on the electric light, he had to do it by gas lamp or candle. I'm sure it made the work seem that much more urgent.

When the response to comedy becomes cheering instead of laughing, that is so irritating. It's the worst. Here's what cheering is: "Look at me!" That's what cheering is. Cheering is not "Hey, I agree with what you're saying"; cheering is "I'm liking this more than anybody else!

When you do comedy in front of an audience, they are the ones who tell you whether it's funny or not and which bits are funny and which bits need to be fixed.

When you get big special effects pictures, sci-fi and things, there's little or no comedy. Or it's a domestic comedy and there's not one special effect. But very rarely do these things fuse and come out right.

When you go out there to do comedy, you feel like you're doing battle with the audience a lot of the time. You're either going to get 'em, or you're not.

When you're doing an out-and-out comedy, the notion of preparing for a character - I hope I don't reveal too much of myself here - but, uh, no, I'm not doing anything.

When they asked Jack Benny to do something for the Actor's Orphanage - he shot both his parents and moved in.