Best 2079 quotes in «emotion quotes» category

I spent so much time at Escuela Caribe denying my true emotions and avoiding conflict that I became unsure of what my feelings really were. This is something that affects me to this day. I feel extremely uncomfortable during arguments, to the point of shutting down and not saying anything, like a turtle retracting into its shell. I can't stand conflict.

Israeli occupation exposes us very young to the extremes of our emotions, until we cannot feel except in the extreme.

I stay true to my lyrics. If I go back and look at them in hindsight, the emotions I had when I wrote them have passed. It feels unjustified to change them.

I suppose all this sounds very crazy — all these terrible emotions always do sound foolish when we put them into our inadequate words. They are not meant to be spoken — only felt and endured.

It belongs to every large nature, when it is not under the immediate power of some strong unquestioning emotion, to suspect itself, and doubt the truth of its own impressions, conscious of possibilities beyond its own horizon.

I tend to be much more in the present and my emotions are simpler. I can be happy, I can be sad, I can be depressed, but there's a complexity that I don't have. I don't brood the same way. Fear is my main emotion.

I think conveying the emotion of the collective "we" is pretty incredible. Especially in tumultuous times like we are in now.

I think facts and truth are essential to journalism but you need to reckon with emotion. You have to deal with how people feel, otherwise you miss the story.

I think for me, any great art is art which communicates human emotion.

I think for one, we have to really accept that anger is a normal human emotion that can be a positive force for change.

I think I'd make a loving, caring, understanding boyfriend, who's in touch with his emotions. Or at least I'd like to be.

I think I just have a problem generally in life of wanting more of everything - more emotion, more drama, more glitz.

I think one of the most wonderful things we can do as performers is to remind audiences that they can still relate to the emotions and feelings, as though the music had been written yesterday.

I think love is the core emotion. Without that, and I've certainly existed without that, it's a very empty life.

I think that's the great thing about music: It can communicate emotionally. And you don't have to necessarily get all of the words. I mean you have to know what is being said, but didn't you find even if you didn't get all of the words, you certainly get the emotion?

I think that emotion and good stories can cross the times.

I think that shame is a universal, paralyzing, painful emotion.

I think that now most people know someone in their family that is coping with something, but there is still a tremendous amount of shame - that one is still regarded as a defective unit ... if only they would pull up their bootstraps - they are only indulging their emotions, everybody's moody, blah, blah, blah.

I think that the older I get and the more comfortable I get with myself, the more I realize that art is about relinquishing control of your emotions and being vulnerable and innocent.

I think the one thing that never goes away is soul and emotion and vulnerability and finding your strength in our vulnerability. I think when I apply all of that to music, it somehow just ends up being classic. It's the sum of a bunch of things that never go away.

I think understanding or comprehension is probably the strongest emotion that you feel, or at least some kind of empathy.

I think this is interesting, us human creatures are capable of love, and it's a very powerful emotion. It also can go awfully wrong.

I think with the best actors, emotion is something that has no kind of check in them.

I think, you know, I'm German, and um, probably not very expressive in my emotions.

I think you have to use your eyes as well as your emotion, and one without the other just doesn't work

I think you know what you're up against when you take on a piece that you know is going to involve dragging up a lot emotions - you can end up being deeply immersed in gloom.

I think you translate emotion better when you take your hands off.

It is also difficult to articulate the subtleties in cinema, because there aren't words or metaphors which describe many of the emotions you are attempting to evoke.

It is always one of the tragedies of any relationship, even between people sensitive to each other's moods, that the moments of emotion so rarely coincide.

It is better to sleep on things beforehand than lie awake about them afterwards.

It is a new intoxication - annihilation. It multiplies every emotion.

It is characteristic of the emotions of the very young infant that they are of an extreme and powerful nature.

It is an emotion that makes us act as if for the good of the group; an emotion that brings pleasure, pride, or even thrills from coordinated group activity.

It is easier to analyze a work in its form, in its evolution, than simply to love it with all the living forces of our heart. It is easier to define its peculiarities and its details than to draw out of it its emotion, its thought.

It is easier to manufacture seven facts out of whole cloth than one emotion.

[It is easier] to quell emotion than to incur the consequences of venting it.

It is emotion that drives the intelligence forward in spite of obstacles.

It is not because the truth is too difficult to see that we make mistakes... we make mistakes because the easiest and most comfortable course for us is to seek insight where it accords with our emotions - especially selfish ones.

It is impossible to meditate on time and the mystery of nature without an overwhelming emotion at the limitations of human intelligence.

It is harder to fight pleasure than to fight emotion.

It is only when parental feelings are ineffective or too ambivalent or when the mother's emotions are temporarily engaged elsewhere that children feel lost.

It is only by understanding the emotion of others that an investor has a chance to produce superior results.

It is only through my daughter that I have come to realise that a life without femininity – devoid of mystery, emotion, gentleness and the unerring power of a woman’s love – is no life at all.

It is perfectly acceptable to have a physical problem in our culture, but people tend to shy away from anything that has to do with the emotions.

It is one of the great troubles of life that we cannot have any unmixed emotions. There is always something in our enemy that we like, and something in our sweetheart that we dislike.

It is the strength of any emotion, not necessarily its pleasantness, that makes a place important.

It is the emotions to which one objects in Germany most of all.

It is the way of youth that each fresh piece of knowledge of life should go to its head, and that once uplifted by an emotion it can never have enough of it.

It is the object which aroused the artist, stimulated his ideas and set of his emotions. These ideas and emotions will be imprisoned in his work for good.

It might seem that this knowledge is cold, devoid of emotion, empty. This is another illusion.