Best 2079 quotes in «emotion quotes» category

It is only when parental feelings are ineffective or too ambivalent or when the mother's emotions are temporarily engaged elsewhere that children feel lost.

It is only through my daughter that I have come to realise that a life without femininity – devoid of mystery, emotion, gentleness and the unerring power of a woman’s love – is no life at all.

It is perfectly acceptable to have a physical problem in our culture, but people tend to shy away from anything that has to do with the emotions.

It is the emotions to which one objects in Germany most of all.

It is the object which aroused the artist, stimulated his ideas and set of his emotions. These ideas and emotions will be imprisoned in his work for good.

It is the strength of any emotion, not necessarily its pleasantness, that makes a place important.

It is the way of youth that each fresh piece of knowledge of life should go to its head, and that once uplifted by an emotion it can never have enough of it.

It is very difficult to accept in others emotions you cannot accept in yourself.

It is when we lose control that we repress the emotions, not when we are in control.

It is your responsibility to make sure that positive emotions constitute the dominating influence of your mind.

It might seem that this knowledge is cold, devoid of emotion, empty. This is another illusion.

I try to connect to human emotion. I'm always looking for something primal, something really base that is beyond language, that people understand beyond language.

I try to be genuine. I try to be real. It's such a subjective thing, but I try to convey an emotion.

I try to be mindful in my daily life, trying to stay more present and have more intention. It keeps me calm, and I feel less whipped about by my emotions.

It's a completely useless emotion - jealousy. I don't go there.

It's all emotion. But there's nothing wrong with emotion. When we are in love, we are not rational; we are emotional. When we are on vacation, we are not rational; we are emotional.

It's amazing to hear, as a voice matures and then starts to decline, what kind of emotion is still conveyed by a really good vocalist.

It's a pretty scary time. So many emotions come up and you don't really have the wisdom to make the right choices. You can really screw yourself in adolescence.

It's because I like you, I don't want to be with you. It's a complicated emotion.

It's easier when you play. You get your emotion out. You scream. You yell. You do whatever you want. You play. But it's tough to sit.

It seems to me that dominant cinema seems to require an empathy or a sympathy between the film and the audience which is basically to do with the manipulation of the emotions and it seems to me again -- and this is a very subjective position -- that most cinema seems to trivialise the emotions, sentimentalising or romanticising them.

It's funny because being comedic and happy and lighthearted is who I am as a person, so they're easier emotions for me to connect with.

It seems to me that almost all our sadnesses are moments of tension, which we feel as paralysis because we no longer hear our astonished emotions living.

It's not just something that you do intellectually when you do music. You do it with your body, and you do it with your emotions, and you do it with every part of yourself. It engages your mind as well, but engages all parts of yourself.

It's incredible how many emotions you feel when crossing the finish line and seeing that you are No. 1.

It's like every day is the worst day of your life. And you're trapped and you're scared and you have to portray those emotions in every take and really take yourself to those places. (about her role as an abused wife in ENOUGH.

It's not difficult for me to hide emotion, since I've always hidden it in my personal life.

It's really the artist in me that loves the idea of an image and an image that provokes an emotion.

It's okay that we're not perfect. It's okay that we all have problems. It's okay to cry, to show emotions.

It's your fiction that interests me. Your studies of the interplay of human motives and emotion.

It's the cliches that cause the trouble. A precise emotion seeks a precise expression.

It's the emotion...each word has got a connotation and symbolism and the thing is finding what's behind the word-what meaning it has and what emotion. I'm really into vocal repetition as a definite art form.

It's up to the reader to decipher the code, or the words, based on everything they know about life and emotions.

It's still a lean back, enjoy or a lean forward, be involved, enjoy medium. It's real engagement, real emotion.

It was a weird mix of emotions. One day, your best friend could be killed. The day before, you could be celebrating him getting a brand-new bike.

It was all the things I wanted my music to be, but yet it wasn't grand and it wasn't obtuse - it wasn't overshooting, it wasn't undershooting, it was precise. The lyrics and the way that I was able to extract and excavate emotion within me.

It was juvenile, he knew, this need to assign blame, but everyone had a right to childish emotions from time to time, didn't they?

It was no coincidence, that fear could move a person to extremes, just as seamlessly as love. They were the conjoined twins of emotion: If you didn't know what was at stake to lose, you had nothing to fight for.

It was not polite for a Temujai general to allow his emotions to show.

It would be good to live in a perpetual state of leave-taking, never to go nor to stay, but to remain suspended in that golden emotion of love and longing; to be loved without satiety.

It wasn't my tennis that made me lose, it was a lot of different things going on, high drama, high emotion.

It wasn't about me trying to lose weight. It was all about emotions.

It was the emotion I hated the most of all emotions, shame.

It was then that the ecstasy and the dream began, in which emotion was the matter of the universe, and matter but an adventitious intrusion likely to hinder you from spinning where you wanted to spin.

I've had a fair amount of experience with snakes, and I find them to be pretty honest in terms of how you read their body language and emotions. They'll tell you when they're grumpy. They'll tell you when they're okay.

I've always assumed it to be an absolute requirement for being a writer: to find all emotions and the sources of all behaviors somewhere within yourself.

I've always found it easy and natural and, more importantly, necessary to articulate thoughts and feelings, and fierce emotions, through the written word. Fantasy and horror came to me when I was very young.

I've always used my own personal emotions and things that I've gone through in my life to build a character. The work that I do before a film feels almost like therapy, between me and whoever I'm playing.

I've been to many funerals of funny people, and they're some of the funniest days you'll ever have, because the emotions run high.

I've got some issues that nobody can see and all of these emotions are pouring out of me I bring them to the light for you it's only right