Best 2079 quotes in «emotion quotes» category

After all relationships had sell-by dates. Sometimes, the ones with the most passion were the ones to burn out faster. Others had a sweet and long-winding coil which burned with slow amicability. At times, it was true, people rekindled a dying ember with a new flame. But they hardly ever noticed the rekindling had come after some time of estrangement - whether physical or emotional. Because people needed newness to make a thing last indefinitely. To make it really last. And because Jan didn't like letting people go, she knew to look for the signs of love's waning. So she could tell how to ease it down slowly into its grave and keep her lovers as friends. Because she really believed people were meant to cross paths. People were meant to stay in your life. There was a reason for all encounters. And relationships had to be cosseted, no matter their shelf life. But they had to be allowed to change shape and form. It had to be given space to grow into something different.

After that day, I discovered one indelible truth. I discovered that love wasn’t everything that mattered in life. It was an emotion that not many had the luxury of feeling without any pain attached to it. Many say that love will set you free, but I disagree. Love is a cage, a very painful one; its gilded bars made with yearning, heartache, and unfulfilled dreams. And the moment I realized that love wasn’t necessary to one’s survival I became free. No one would have the power to hurt me again.

A gentle, warm, sweet pain spreads through my chest at those words.

Ah! candid and unadulterated mind! you have learned early to reflect; but take care lest this habit, hitherto so well applied, should totally unfit you for society. It will strew thorns in your path, while other young women of your age seek only flowers. By imagining yourself in the place of others, as you now continually do, you will learn to feel for all the unhappy, or even for those who appear so; whereas it might save a great deal of (for the most part useless) pain, if you could contrive to feel only for yourself.

Ah, I love this; I love...your mouth on me.” He feels so good. Ah. His fingers replace his tongue. My emotions bubble up to the surface, screaming for release. I want to tell him how I feel. My eyes gloss with tears. I love him. I love you. I love you. Alex, I love you.

He rejected traditional religious beliefs (Jewish, Christian, and Islamic) not on the basis of any reasoned argument, nor even with an expression of emotional antipathy, for he loved to use religious expressions and metaphors, but simply by saying that they are naive.

Alas, that love, whose view is muffled still, Should, without eyes, see pathways to his will! Where shall we dine? O me! What fray was here? Yet tell me not, for I have heard it all. Here’s much to do with hate, but more with love. Why, then, O brawling love! O loving hate! O any thing, of nothing first create! O heavy lightness! Serious vanity! Mis-shapen chaos of well-seeming forms! Feather of lead, bright smoke, cold fire, sick health! Still-waking sleep, that is not what it is! This love feel I, that feel no love in this. Dost thou not laugh?

Alterations in regulation of affect (emotion) and impulse: Almost all people who are seriously traumatized have problems in tolerating and regulating their emotions and surges or impulses. However, those with complex PTSD and dissociative disorders tend to have more difficulties than those with PTSD because disruptions in early development have inhibited their ability to regulate themselves. The fact that you have a dissociative organization of your personality makes you highly vulnerable to rapid and unexpected changes in emotions and sudden impulses. Various parts of the personality intrude on each other either through passive influence or switching when your under stress, resulting in dysregulation. Merely having an emotion, such as anger, may evoke other parts of you to feel fear or shame, and to engage in impulsive behaviors to stop avoid the feelings.

All these many-coloured feelings fell... like light on a black surface, producing no change, meeting no return.

A lot of people who read my novel 'Smog City' ask me why I never killed off either of the two main characters. To be honest, it's because I've given them life. Not literally of course, but since I spent so much time developing and creating my characters, they've ended up with complex personalities, in fact they're almost sentient in a way, and to write them off as dead would be like killing a close friend to me.

Always write exactly what you’re feeling at the exact moment when writing something like poetry or an emotional novel. Put yourself, pour all emotions into your work…make yourself cry, feel joy if you are writing joyful things, feel lovey if it calls for it…just put your heart and soul into all that you do…then you will be a good writer when you can make whoever reads your work, feel." -Nina Jean Slack

Always try to come back to your senses when in love, because that's the moment you become almost carried away by sensuality and sentiments.

And men are so poor in intellect that a few cold chills down their spine will be enough to keep them from ever finding out the truth about anything

Amusement and annoyance are, perhaps, both forms of denial.

An artist is a sort of emotional or spiritual historian. His role is to make you realize the doom and glory of knowing who you are and what you are. He has to tell, because nobody else in the world can tell, what it is like to be alive. All I’ve ever wanted to do is tell that, I’m not trying to solve anybody’s problems, not even my own. I’m just trying to outline what the problems are. I want to be stretched, shook up, to overreach myself, and to make you feel that way too.

And just like that,the cloth was torn. was it the days, weeks of the same argument was it the months without affection, or was it simply the year and a half wasted on empty promises from both sides?I don't know what ripped it, but here I sit with my needle and thread trying to fix it knowing it will never look as beautiful as it did when we first started weaving it.

And I touch. Not because I want to feel, but because I’m looking to see if this is real.

And my chest swells with an emotion I'm not familiar with . . . happiness? Pride? I'm not sure what it is, but I suddenly feel compelled to do things that will make me feel this way all the time, which gives me pause, since that seems dangerous too.

And strange are the ways of deep emotion.

... And one day it dawned on me that I had spent entirely too much time waiting on you to grow a voice box.... and the balls to use it.

And more than that, she just looked… tired. Like she’d battled the world and the world had won.

And now Frank Andresen finally speaks, and when he does there is just nothing in his voice, no emotion, no feeling. He’s dislodged himself from the moment.

And this love between Henry and Fora . . . at first, it was a small, uncertain thing, like the glow of the morning sunos the horizon. And then it was its own wild animal, bucking against the world and anything that threatened it, so hot it could burn and sometimes did. And then it was quiet, as quiet as a snowfall, covering everything, certain of its place, even as it was certain it could not last forever.

And yet it takes only the smallest pleasure or pain to teach us of time's malleability. Some emotions speed it up, others slow it down; occasionally, it seems to go missing - until the eventual point when it really does go missing, never to return.

Anger is defined by philosophers as a long-standing and sometimes incurable mental ulcer, usually arising from weakness of intellect. In support of this they argue with some plausibility that this tendency occurs more in invalids than in the healthy, more in women than in men, more in the old than the young, more in those in trouble than in the prosperous.

Another big group of dolphins had just surfaced alongside our moving vessel—leaping and splashing and calling mysteriously back and forth in their squeally, whistly way, with many babies swift alongside their mothers. And this time, confined to just the surface of such deep and lovely lives, I was becoming unsatisfied. I wanted to know what they were experiencing, and why to us they feel so compelling, and so—close. This time I allowed myself to ask them the question that was forbidden fruit: Who are you? Science usually steers firmly from questions about the inner lives of animals. Surely they have inner lives of some sort. But like a child who is admonished that what they really want to ask is impolite, a young scientist is taught that the animal mind—if there is such—is unknowable. Permissible questions are “it” questions: where it lives; what it eats; what it does when danger threatens; how it breeds. But always forbidden—always forbidden—is the one question that might open the door: “Who?” — Carl Safina

Anxiety suggests a fear while Desire takes one out of oneself, into the possibility or relationship, but it also takes one deeper into oneself. Anxiety turns one back on oneself, but only onto the self that is already known.

Any performer tries to perform music as if for the first time, with all that energy and excitement that comes from discovering a new piece--maybe trying to recreate the memory of falling in love with a piece when hearing it first as a child--and just as people regularly say of a brilliant conductor that they seem to conduct as if recreating the energy an audience must have felt when the piece was first played decades, even centuries, before, so too I think we need to communicate our knowledge with the passion we first encountered as children.

Anger is a brief madness.

Anger is a partnership of two forces in which one of the partners is silent. Anger is the present and accountable emotion while Shame is the silent partner, the thought that projects in the background. Shame is the belief in eternal lack of resolve, which creates violence.

... an impression of inescapable noise or acute disorder, a rush of adrenalin, sensations of alarm, a sense of unbalance or chaos, residual feeling of nausea and anxiety. These are the forms of bodily distress that occur when one's ingrained, taken-for-granted sense of how certain things are - and thus presumably will be and in some sense should be - is suddenly or insistently confronted by something very much at odds with it.

Another tear appeared and then another, trailing silently down her cheeks. This was so much harder than she’d thought it would be. She was usually so articulate, yet at the moment her brain seemed to have turned to mush. He turned his head to kiss the tears from her cheek, and it was as though his act of tenderness finally unleashed the truth that was struggling to emerge.

Antonia was very conscious of the corrosive power of envy and felt that it was this emotion, more than any other, which lay behind human unhappiness. People did not realise how widespread envy was.

Anyhow, with their extraordinary gift for, and experience in, affairs of the heart from the double point of view, both of the man and of the woman it is not difficult to see that these people have a special work to do as reconcilers and interpreters of the two sexes to each other.

A real person, profoundly as we may sympathize with him, is in a great measure perceptible only through our senses, that is to say, remains opaque, presents a dead weight which our sensibilities have not the strength to lift. If some misfortune comes to him, it is only in one small section of the complete idea we have of him that we are capable of feeling any emotion; indeed it is only in one small section of the complete idea he has of himself that he is capable of feeling any emotion either.

Art is a captured emotion. When I say this I mean all artists, whether you are a photographer, a writer, or sculptor, you are trying to capture the way someone or something made you feel. As a story teller I am trying to captivate the audience and allow them to feel just a small portion of the emotion I am desperately trying to preserve.

Art is the overflow of emotion into action.

... as a convention, you get up and walk to the window to make the audience believe that you're looking out. It's for the audience, not for you! And what it means to you is something emotional [...] If you went to the Actors Studio you'd spend six months seeing the snow before you could say, 'Look at the snow.' This takes a terrible burden away from the actor, who thinks he's got to see the woods and the snow. 'Give me my gun! I see a rabbit! Give me my gun!' " Meisner sounds thrilled at the possibility of a hunt. "That happens when you're still sitting there reading. Then when they put in the scenery you move to the window. Isn't that simple? How simple it is to solve the problem of seeing things when you know that it's all in you emotionally, and that walking to the window is only a convention.

As a poet there is something about joy I find hard to express, whereas every other emotion is rather simple. For instance, you never feel so bad that you can't describe how bad you feel, but joy on the other hand is far too divine for human language.

As I see it the world is undoubtedly in need of a new religion, and that religion must be founded on humanist principles. When I say religion, I do not mean merely a theology involving belief in a supernatural god or gods; nor do I mean merely a system of ethics, however exalted; nor only scientific knowledge, however extensive; nor just a practical social morality, however admirable or efficient. I mean an organized system of ideas and emotions which relate man to his destiny, beyond and above the practical affairs of every day, transcending the present and the existing systems of law and social structure. The prerequisite today is that any such religion shall appeal potentially to all mankind; and that its intellectual and rational sides shall not be incompatible with scientific knowledge but on the contrary based on it.

Art is an emotional experience or nothing at all.

A silence overtook the odd family in their odd surroundings as loss became the mockery of the moment, and they were caught up in the emotional release that is common in a theater audience after the sudden ending of a tragic movie; the curtain closes and the people are still in their seats, numb and sighing their way back into reality.

Betrayal is a more subtle, twisted feeling than terror. It burns and eats, but terror stabs right through.

Bad emotions can be hidden with a smile on the face

Be afraid, when you feel always fearless.

Before you accomplish your dreams physically, your inner make up, mindset, emotions and perception have fought the battle mentally and that already determined how the battle will be fought physically.

Begin to see the violence around you; begin to see the violence within you.

Being a 'potential mate' was something rather different and much more complicated. It was when two people had the potential to become like one person, knowing each other's moods and feelings in a way no one else could. Being aware of their presence in a crowded room was just one example. If they were sad or angry, their mate would sense it to a point of feeling the emotion themselves.

[On Love After Love by Derek Walcott] I read this poem often, once a month at least. In the madness and mayhem of modern life, where every man seems committed to an endless search for the approval and esteem of his fellows and peers, no matter what the cost, this poem reminds me of a basic truth: that we are, as we are, "enough". Most of us are motivated deep down by a sense of insufficiency, a need to be better stronger, faster; to work harder; to be more committed, more kind, more self-sufficient, more successful. But this short poem by Derek Walcott is like a declaration of unconditional love. It's like the embrace of an old friend. He brings us to an awareness of the present moment, calm and peaceful, and to a feeling of gratitude for everything we have. I have read it to my dearest friends after dinner once, and to my family at Christmas, and they started crying, which always, unfailingly, makes me cry.

Bragging about your compassion is the first step towards feeling a genuine emotion.